While I was in Miami, my brother and sister-in-law introduced me to a new television show. I’ve since been using it as part of my nightly wind-down. I’m uncertain that my ability to use this show to relax is a wholly positive reflection on me, but that doesn’t change the truth. It is a show whose protagonist is a private detective in London, one with a checkered family history and half a leg missing from an IED blast in Afghanistan. The cases, the subject matter, everything is more pathological (and maybe disturbing) than an American program would be. American programming relies more on displayed violence and gore, British programming on psychology and subtlety. C.B. Strike is definitely not one for the children and is probably not one for many adults either. It is certainly much darker than Sherlock ever was and at least as dark as The Fall.
I’ve had too many posts about television in this newsletter thus far this year. This gives me notice that I need to inject some novel activity into my life again. Being able to make that observation is a side benefit to publishing on a regular cadence. My archive serves as a quasi-journal of what I was doing or thinking about during a particular week. That wasn’t the purpose of starting the newsletter. The purpose wasn’t creating the pressure of meeting a regular publishing deadline either. Both, though, have been pleasant side effects.
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